Title: Deaf Heaven
Author: Pinki Virani
Publisher: Harper Collins
Pages: 283
Genre: Fiction
Rating: 4 out of 10
Publisher: Harper Collins
Pages: 283
Genre: Fiction
Rating: 4 out of 10
After reading such remarkable non-fiction work by Pinki Virani - ‘Aruna’s story’ and ‘Bitter Chocolate’, her first attempt at fiction looked promising. Usually a 280-page novel is not a big deal for me, but completing this book was particularly taxing.
‘Deaf Heaven’ is a typical roman a clef where in a novel describes real life and real life instances, behind the guise of fiction. The book acts like an unorganized and a poor compilation of numerous unrelated characters and myriad issues together.
Saraswati, a librarian with cleft lip, is the narrator of this bizarre story where completely unconnected characters are brought together through her. She is lying dead in a library and till the time her body is discovered, her spirit is free to move around and eavesdrop into the lives of people. I could not find any relevance of Saraswati’s character to the story. All the pages which go on to build this character seem as irrelevant as the rest of the book. There are too many characters, their conversations banal and their stories commonplace. The book is just an anthology of everyday facts, popular newspaper stories which we already know. There is no new wisdom.
I also had a problem with the language. It has too much of colloquialism, under the pretext of keeping the essence alive. This is exactly the reason why I steer clear of dime-a-dozen novels in the market written by just about anybody. It is beyond my comprehension why spoken language, even what I call sms language with short-forms like ‘princi’ for principal and ‘hols’ for holiday, has come to be accepted in mainstream writing and publishing. For me, a book is worth my time only if it makes a difference, to my thought process, to my vocabulary or atleast inspires introspection. Literature is worthwhile when it makes you fall in love with the language and its expression.
I struggled with the book throughout, failing to understand the objective of this book. It just keeps jumping from one issue to another without structure or relevance. So from bollywood’s scoop section to 26th July Mumbai floods, from Bhopal gas tragedy to tribal conversions for political mileage, from ecological disturbances to Mumbai train blasts; it has every particular contemporary issue of today, juxtaposed to make no sense at all. Sometimes, the narration just runs into pages like a never-ending essay, and that too largely is opinion rather than any story-telling.
My words of caution: please do yourself a favour – avoid it.
(Image source: flipkart.com)