Book Giveaway: The Sea of Innocence by Kishwar Desai

Kishwar Desai is the author of the bestselling books ‘Witness the Night’ and ‘Origins of Love’. In both her previous books, she has taken inspirations from topical issues to build fast-paced thrillers. I loved both her books.

I was waiting eagerly for her third book: ‘The Sea of Innocence’

And guess what? I also have 1 copy of the book for Giveaway.

Giveaway copy is sponsored by MySmartPrice Books. MySmartPrice Books offer a smart way to find the best online deal for books.

ABOUT THE BOOK: From the Publisher’s website:

Goa, south India. A beautiful holiday hideaway where hippies and backpackers while away the hours. But beneath the clear blue skies lies a dirty secret…

Simran Singh is desperate for a break and some time away from her busy job as a social worker-come-crime investigator. And so the unspoilt idyll of Goa seems just the place - white beaches, blue seas and no crime. 

But when a disturbing video appears on her phone, featuring a young girl being attacked by a group of men, she realises that a darkness festers at the heart of this supposed paradise. And when she discovers out that the girl is Liza Kay, a British teenager who has gone missing, she knows she must act in order to save her.

But first Simran must break through the web of lies and dark connections that flourish on these beaches. Everyone, it seems, knows what has happened to the girl but no one is prepared to say. And when more videos appear, and Simran herself is targeted in order to keep her quiet, the paradise soon becomes a living nightmare.

Read more about the book here, and an Author interview here. Here’s the book’s GoodReads page.

HOW TO PARTICIPATE

You just need to follow these super- simple steps:

1. Leave a comment at the end of this post if you are interested in this book.

2. You need to ‘ Like’ the Facebook pages of this Blog and MySmartPrice Books. So, please leave your Facebook IDs with your comments.

RULES:

1. Each person can comment only once.
2. The last date of this Giveaway is 15^th June 2013.

3. The winner will be chosen through Random.org.

4. The book will be sent to an address in India only.

5. After the result is announced, the winner must respond with his/her address within 7 days.

So, what are you waiting for? It can't get any more simple! 

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THIS GIVEAWAY IS CLOSED NOW

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Book Review: The Lonely Monarch by Sunil Gangopadhyay

Title: The Lonely Monarch

Author: Sunil Gangopadhyay (translated by Swapna Dutta)

Publisher: Hachette India

Pages: 248

Price: Rs 350

Genre: Literary Fiction / Historical Fiction /Theatre / Translation

Rating: 9/10

Format: Paperback

It took me a while to begin this book. ‘The Lonely Monarch’ by Sunil Gangopadhyay, beautifully translated by Swapna Dutta, was supposed to be about Bengali theatre of the 1920s. I felt I would not be able to relate to it, since I knew nothing about either theatre in general or Bengali theatre in particular. Then I read the ‘translator’s note’, where she herself admits that she “knew very little about the theatre scene in Bengal and even less about the people involved in it”, and yet she was fascinated and enthralled by the book. That did it for me. And I am grateful, I read it.

‘The Lonely Monarch’ is the story of the stalwart of Bengali theatre, Sisirkumar Bhaduri, in the early twentieth century. Although the story is about a real, revered personality from the theatre world, yet this book is not a biography. As the author says, “basing it on facts, as far as possible, I’ve had to fill the available framework with my imagination.”

In ‘the Lonely Monarch’, the author creates a vivid imagery of the old-world Bengal and its theatre world. Sisirkumar Bhaduri, the scion of a declining zamindar family, was enamoured by the world of theatre. When he joined professional theatre, there had never been any actor so highly educated; considering the notoriety associated with it (all actresses came from the red light area). He strongly believed that theatre should be integral to the culture. He worked relentlessly from the beginning of his career to the end to create a culture of refined taste in theatre. He performed in and directed several outstanding plays, which got him adulation from the masses as well as critical acclaim. But he soon realized he was not cut out for working under anybody and started his own theatre company.

The story traces his rise and fall, the many highs and lows of theatre world; his dream of a national theatre to teach acting and theatre to the younger generation; his attempts to refine the taste of the general audience to more tasteful plays, to break away Bengali theatre from the shadows of English theatre and make an identity of its own; to break the stigma around theatre and make it part of the popular culture; and to produce and direct outstanding plays, and not be confined by the money spinners. 

The book also chronicles his tumultuous personal life and his struggle with alcoholism. A man of such extraordinary talent was married to a simple, ordinary girl with no knowledge of poetry and art. Even his attempts to teach her finer nuances of life turned futile because of the orthodox outlook of his parents. Misunderstandings led to her suicide attempt and later her death, which kept him guilt-ridden throughout his life. Later, he found his match in Kanakabati, who was educated and an excellent actress, but he failed to bestow upon her the respect and dignity of being his wife. She died heartbroken.

He also dabbled in movies for money but his heart was not into it. Films appeared too mechanical to him. Moreover, on one hand he was an exceptional actor and director, on the other hand, he never understood the commercial aspects of running a theatre, which always led to his downfall. It disappointed him that neither the government nor the rich of Bengal patronized the Bengali theatre.

There are many references of eminent personalities of those times like Rabindranath Tagore, Saratchandra Chattopadhyay, Satyajit Ray; even the author Sunil Gangopadhyay himself appears in the narrative.

Towards the end of the book, though the country had got independence but his dream of national theatre remained unfulfilled. In his old age, the once-torch bearer of Bengali theatre passed his days in poverty and loneliness, refusing any kind of charity. He just wanted to be remembered as an actor / director of exceptional talent and outstanding caliber.

The book is quite interesting and engrossing. The narrative is fluid and what is commendable is that it never feels like a translation.

If literary fiction is your thing, go for it.

A few memorable lines from the book:

“That’s what real art does to a person. It charms as well as overwhelms.”

“All he had asked for was a national theatre where he could teach stagecraft to the new generation – the nitty gritty of acting, experimenting with new forms of drama – without having to worry about money, the kind of organization that existed in any civilized country in the world.” 

Note: Text in italics has been quoted from the book.

Review Book courtesy: Hachette India
Image source: Hachette India

Book Review: Legacy: Letters from eminent parents to their daughters by Sudha Menon

Title: Legacy: Letters from eminent parents to their daughters

Author: Sudha Menon

Publisher: Random House India

Pages: 272

Price: Rs 399

Genre: Non Fiction / Essays / Letters / Journals

Rating: 9/10

Format: Hardbound

When I first read about this book, I was instantly drawn to it. Distinguished people writing letters to their daughters; the concept appealed to me dearly. It held a lot of potential to learn and be inspired. I was also curious about what lessons or advice these high achievers would pass on to their daughters.

The book lived up to its promise.

I loved the cover page instantly. It has a warm appeal to it. Foreword is by Kiran Mazumdar Shaw. It is inspiring to read her write about her unconventional choice of career, encouraged by her father, and struggle during the initial years as a lady brewer in a man’s world.

Notes by Deepika Padukone and Nandita Das to their respective famous dads, on the insides of the cover, are heartwarming.

The book is quite well-organized. The writers have been featured in the alphabetical order of their names. Each letter is preceded by a note about the person writing the letter, which beautifully sets the mood for the letter and helps the reader relate to the letter in a better way. Each letter is a reflection of the letter writer’s own journey through life, his learnings and values that he or she holds close.

Ajay Piramal, Amit Chandra, Capt. Gopinath, Chanda Kochhar, Deep Anand, Ganesh Natarajan, Jatin Das,, Kishore Biyani, K.V. Kamath, Mallika Sarabhai, Narayana Murthy, Pradeep Bhargava, Prakash Padukone, P.P. Chhabria, Renuka Ramnath, Sanjeev Kapoor, Shaheen Mistri and Zia Modi make the 18 personalities who have contributed in this book to pass on the legacy of learnings, values, beliefs and wisdom, not only to their own daughters but to inspire all the Indian women at large.

Chanda Kochhar thinks adaptability is a great quality to possess, while Captain Gopinath demonstrates by his own life to reinvent oneself constantly; Amit Chandra highlights the power of wealth and how not to get carried away with it, while Kishore Biyani stresses on the importance of people, relationships and human behavior; Mallika Sarabhai advises her daughter to be fearless about what she can do while Shaheen Mistri crafts a beautiful poem for her daughters about empathy and equality – there are several such gems in the book.

Though each letter is a lesson in life-skills, my personal favorites are letters by Captain Gopinath and Kishore Biyani. I was pleasantly surprised at the modern outlook of Mr Biyani when he is perceived as rooted in traditions. He came across as a very open-minded individual who held both his daughters in high esteem for their capabilities. Captain Gopinath’s ability to rise from the ashes every time as a phoenix comes across very clearly. The way he reinvents himself constantly is exemplary for everyone.

What stands out is that each one of them is rooted in their past, stress on the importance of giving back to the society, the need to be there for the family, and shower love and respect on their daughters as independent and capable individuals.

It is easy to get intimidated by these stalwarts for their lofty achievements but when they write to their daughters, one gets to know their real, warm personalities and concerns of an ordinary parent.

I certainly recommend it wholeheartedly.

Review Book courtesy: Random House India
Image source: Random House India

Book Review: Why Loiter? by Shilpa Phadke, Sameera Khan, Shilpa Ranade

Title: Why Loiter? Women & Risk on Mumbai Streets

Author: Shilpa Phadke, Sameera Khan, Shilpa Ranade

Publisher: Penguin India

Pages: 280

Price: Rs 299

Genre: Non Fiction / Urban Studies / Women issues

Rating: 10/10

Format: Paperback

“Why Loiter?” is a transformational book. It suggests that women must fight for the unconditional right to access public space. It is surprising how we, as women, have got so accustomed to justifying our presence in the public space that it is now internalized in our systems. 

If we are waiting for a friend on the road, we would rather wait at the bus stop or fiddle with mobile phones, all to imply that either we are waiting for the bus or busy with some important call or message. Why can’t we loiter? Why can’t we be unapologetic about having fun in public space, and also not judged? Quoting from the book “..when there are visible public attacks on women, the discussions inevitably focus on how the women could have prevented it. Clothing is the first target: its length, width, cut and even colour are debated in the blame game of national sexual politics…”

It is a common perception that ‘Bombay girl’ is having most fun. It is a benchmark for almost all women across India, to live life like a Bombay girl. You really sit up and notice when the authors tell you why they chose Mumbai to offer their arguments: “For if this is the standard of access to public space in the country, then perhaps we lack both ambition and imagination.”

This book “draws on the findings of a three-year-long research project, the Gender and Space project that focused on women and public space in Mumbai to demonstrate beyond reasonable doubt that despite the apparent visibility of women, even in urban India, women do not share equal access to public space with men.” The problem is women have accepted their marginalization in the public space.

Here are some standout points and thoughts from the book, which may compel you to read it:

• ‘Loitering’ is considered frivolous. Demonstration of purpose to justify being in public space is important at all times. Even feminists who fight for women’s rights are wary about right to loiter because it will impact the seriousness of their work.
• Poor infrastructure like lack of or significantly less number of public toilets, toilets which have been insensitively designed and many times closed during nights, poor road lighting, poor transport facilities etc further impacts the usage of public space by women. 
• Public spaces should be designed to maximize engagement. “One key obstacle in the good design of public spaces is the assumption of a neutral universal user of space….the ‘neutral’ user is usually male.” 
• Fighting for unconditional right to access public space is a larger issue than focusing on crime against women in public space. Because when you focus on the crime, the access for women is further reduced, women start living a more protected and chaperoned life. Because then people start focusing on why you were there in the first place? With whom? Wearing what? Doing what? The struggle against violence and the quest for pleasure cannot be separate things. 
• The society is obsessed with controlling women’s movement. But the concern is more about the reputation and family honour rather than their physical safety per se. 
• Supposedly safe places for women like malls or cafes are really private-public spaces and you need to have a certain consumption power to be able to enjoy that space.
• In the global vision of the city, women, old people, disabled, poor and people from certain religion do not feature. It raises questions on rights to citizenship. Why should a city be claimed / owned only by a specific group?
• How we lament flourishing malls and vanishing parks! How our weekends are spent at malls in consumption rather than doing nothing in public spaces. Perhaps that is what global city is all about. Loitering is a threat to that dream global world. You must consume all the time.
• Then who is having fun? Muslim Girls? Rich Girls? Slum Girls? Working Girls? Night Girls? Can Girls Buy fun? Differently-abled girls? Homosexual Girls? Old Girls? The authors have dissected and concluded that no matter what the social status, economic class, age or orientation, their ‘fun’ is always conditional. Nobody is having unadulterated, pure fun.

Of course, there are many more arguments, well-represented in the book. So, read it.

I highly recommend it to every girl, every woman. Read it, if you can. And why only girls? Everyone should read it. It brings forth a strong argument and thought-provoking perspective. And men should also read it to understand how women in their lives negotiate access to public space on daily basis.

Note: Text in italics has been quoted from the book.

Image source: Penguin India

Book Review: The Style Diary of a Bollywood Diva by Kareena Kapoor, Rochelle Pinto

Title: The Style Diary of a Bollywood Diva

Author: Kareena Kapoor with Rochelle Pinto

Publisher: Shobhaa De Books (Penguin India)

Pages: 288

Price: Rs 699

Genre: Non Fiction / Style / Fashion / Bollywood

Rating: 7/10

Format: Paperback (Royal)

Kareena Kapoor, though not really a trend-setter, is almost always well-dressed. I noticed her experimental and interesting styling during the promotions of ‘Heroine’. Earlier, her Manish Malhotra dresses and saris were fashionable but they never stood out. To her credit, she did spark media frenzy for Size Zero because it was too drastic and shocking, considering she was chubby earlier.

The book has high production value (like a coffee table book) with lots of glossy pictures, although I am not such a huge fan of the cover page image of the lady (it looks ghostly/ pallid and not diva-esque). The font size on the back cover is also too big. But the book makes up with lots of gorgeous pictures – old and new, published and unpublished, glamorous and simple. The book also has a lot of doodled drawings which render the feel of a diary. The pages are in shades of pink.

The book has Kareena’s distinct voice and personality – unapologetic, undiplomatic and straightforward. It reminds so much of that line from Jab We Met, which translates to – “I am my biggest fan” and Kareena Kapoor is! It comes out very clearly in this book as well as in all her interviews. She has always been extremely confident, even as a newcomer. The book is chatty, conversational and confiding.

When I first read about this book, I was curious because it was something new. I don’t remember any other Bollywood actress writing about her style secrets. Which girl wouldn't want to know the style secrets of a Bollywood heroine who lives a life of glamour and style, and who is spoilt for choices?

I would say I have mixed views about this book, and whenever I feel that way, I jot down ‘what worked for me’ and ‘what did not’, to be fair to the book and to give an indication to the potential readers on what to expect.

WHAT I LIKED

> Tonnes of fabulous pictures – beautiful, glamorous and many from personal collection
> Neatly organized into 4 sections:

1. Body Basics – Growing up years, Size Zero, diet plan, workouts, Yoga asanas, exercising while you travel, food, etc. 
2. Fashion Fabulous – her favourite looks from films and how to get them, personal favourites / style, fashion tips, different kinds of clothing, favourite brands and shopping destinations
3. Beauty Truths – Hair care / skin care / personal beauty tips and tricks, everyday maintenance and grooming, make up, understanding your best profile to look good in pictures 
4. Man Power – snippets from her love life, making your relationship work, dressing and grooming your man and gifting right to your love

> Snippets from personal life like how she plans her travel, her favourites, her growing up years, her relationships, creating looks for her films, preparing for big events, etc. 

WHAT I DID NOT LIKE

> Repetitiveness, like her favourite destination is Gstaad, she is a winter person, blessed with good skin and so on and so forth

> Exaggeration about sparking trends on how her looks from movies and public events were copied soon after. As far as I am aware, Kareena can take credit for Size zero frenzy and Long kurta with Patiala from the movie Jab We Met (which also was Imtiaz’s idea)

> Digressions from the book’s main topic like planning your wedding (!); detailed information on various types of everything – inner wear, Indian dresses, gowns, shoes, bags; dressing for office (!). 

> A lot of common style and fashion tips 
> Dilution of the main focus of the book : Trying to tell us the behind-the-scene story on Kareena Kapoor’s styling, and her tricks and tips; and also trying to be a fashion guide to a normal girl. The book should have focused on Kareena’s style and her favourites, and not attempt to bring out her ‘normal girl’ side, because there are no parallels between her lifestyle and a normal young girl’s. We cannot buy those brands or designer wears (forget about custom-made) neither can we shop on Net-a-Porter.

Frankly, I don’t know what I was expecting from this book because largely a star is as stylish as her stylist (her stylist, by the way, is Tanya Ghavri).

This book will certainly appeal to Kareena Kapoor's fans. The fashion and style enthusiasts may only end up pointing out the abundance of common information and tips in the book. 

All these fashion gyaan surely made me curious about fashion. I am not too much into fashion and latest trends but surprisingly I follow some fashion blogs, so of late I have started distinguishing designers and new trends. So, yes, this book made me excited about fashion because she is around my age. And celebrity or not, if you don’t experiment now then when? 

Here's an excerpt from the book.

Review Book courtesy: Penguin India
Image source: Amazon

Book Review: The Sense of an Ending by Julian Barnes

Title: The Sense of an Ending

Author: Julian Barnes

Publisher: Random House

Pages: 150

Price: Rs 299

Genre: Literary Fiction 

Rating: 9/10

Format: Paperback

‘The Sense of an Ending’ by Julian Barnes is one of those books which you can read and re-read, and every time discover something new. The joy of a well-written, open-ended book is unparalleled. It is amazing how much is packed into this 150-page, fast-paced work of fiction with a twist at the end (though I got an idea about the twist somewhere towards the middle).

The book is divided into two parts. In part One, Tony Webster, now in his 60s, is trying to recall the memories of his past life. But as he often admits, memory is not always reliable. He says right at the beginning “… what you end up remembering isn’t always the same as what you have witnessed.”

Tony, Alex and Colin formed a clique in school, joined by Adrian later. Adrian was certainly more serious and intelligent than the rest, expected to win a scholarship and do well in life. Now retired, Tony considers his own life ordinary and uneventful – a normal career, single marriage, amicable divorce and cordial relations with his only daughter. In his twilight years, he says almost with regret: “I had wanted life not to bother me too much, and had succeeded - and how pitiful that was.” 

He also talks about his ex-girlfriend Veronica, his attempts to impress her, her sense of superiority, and his memory of their relationship. The author never fails to tease you every now and then about ‘memory’ and ‘history’ – that they are not trustworthy and what we recall from past is just a perception of how things happened, may be selectively remembered.

Where part One takes time to establish Tony’s character and the dullness of his life, part Two is fast-paced till the end. Due to the turn of events, Tony comes in contact with Veronica, and it sparks a slew of memories pertaining to her. Veronica was an unfinished chapter of his life and now, almost 40 years later, he felt drawn to her. May be age and time mellowed him to empathize with her.

She keeps saying to Tony “you just don’t get it”, which some readers may find irritating but I felt her character is quite complex and I would expect her to say something like that without offering explanations.  On one hand this drives the reader to the wall while also creating a sense of urgency to uncover the mystery.   

The best part of the book is of course its writing. Despite its number of pages, the story is never rushed, the characters are leisurely developed, mystery is withheld and rationed out in bits and pieces creating suspense, phrases are delightfully crafted and the warmth of subtle humour makes you break into smiles every now and then. The narrative often gets philosophical but never boring.

Sample these beautifully constructed phrases:

“the small pleasures and large dullnesses of home”

“But time...how time first grounds us and then confounds us. We thought we were being mature when we were only being safe. We imagined we were being responsible but we were only being cowardly. What we called realism turned out to be a way of avoiding things rather than facing them. Time...give us enough time and our best-supported decisions will seem wobbly, our certainties whimsical.” 

Need I say more? By all means, read it!

Note: I have consciously stayed away from discussing the story, and its twists and turns because reading it without any pre-conceived notions will be much more enjoyable experience, like I had.

Review Book courtesy: MySmartPrice Books - Get the Best Deal on Books!

Image source: Author Website